The Invisible occupy a weird, singular place in the British guitar-band spectrum. For a start, they aren't that pretty, which in a world of youthful swagger, is unfortunately noticeable. The main thing to shine through though, is the enviable amount of talent at the band's disposal. As well as getting a Mercury nomination for their debut record, they've since been working on Jessie Ware's (also Mercury nominated) and Adele world conquering '21' (also Mercury nominated).

Their second album as The Invisible, 'Rispah', has been getting the kind of attention that a hugely talented and interesting album deserves, but so often, doesn't get.

It would seem Cold Pumas have been around for ages, without particularly going anywhere; which is an apt metaphor for their music, if underselling a little. Because Cold Pumas are obsessed with the joyousness of repetition, of the hypnotic quality of pounding, unchanging drums, guitar textures swirling around them. Like Krautrock's repetitive raptures of the straight lines of the autobahn transposed on the wet, gridlocked circle of the m25.

Phsychedelic beat maker Flying Lotus is back with his new record, Until The Quiet Comes. Which handily, after waves of trailers, videos, and sneak-previews is now available to listen to it in its entirety here. Read an interview with the man himself in the new issue of Tank Magazine, where he discusses DMT, jazz, working with Thom Yorke and spirituality.