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Geometry class
With a degree from the Design Academy Eindhoven, tutelage by Tom Dixon, a collaboration with Hermés and commissions for Cubique Fair and Vienna Design week this year under his belt, Canadian designer Philippe Malouin's is set to go very far indeed.
In his third serious display of works at NextLevel Galerie he reveals new designs from his Gridlock 2series, among other projects. An industrial designer in the truest sense of the word, Malouin's latest expansion of Gridlock has taken furniture back to the most basic and necessary components of construction: concrete and metal.
Shelves, lights and a desk take form in a world that is seemingly free from physics - the weighted concrete floats above the delicate lattice; the lattice traces the edge of something more solid but is in fact hollow.
Following in the footsteps of works by other concrete connoisseurs - think Arad's Concrete Stereoand Amanda Levete's Drift Concrete, the pieces seem to evoke Brutalism at its best (or worst depending on your line of thought). Gridlock is where furniture meets architecture, reminding one that every object, no matter how simple or complex, shares the same principals of structure and design.
And while Malouin's pieces seem to have been built in situ, Gridlock is entirely assembled by hand, solidifying the young Québécois' belief in the durability and adaptability of an object. The thoroughness of thought Malouin has placed in to his products cover ever base, from assembly to purpose.
Other works displayed include the highly-praised YachiyoMetal Rug, again showing the designer's esteem for geometry and the simplest of building elements, and large scale installation Time Elapsed, a collaboration with J. and L. Lobmeyer glass-makers revealed during Vienna Design Week in September this year.
NEW WORKS: GRIDLOCK 2
Until 24 January 2012, NextLevel Galerie, Paris











